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Miss May Does Not Exist

The Life and Work of Elaine May, Hollywood's Hidden Genius

Audiobook
70 of 70 copies available
70 of 70 copies available
As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971's A New Leaf. Throughout the 1970s and '80s, May was one of Hollywood's top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films. In 2018, she returned to Broadway, where she won the Tony Award for Best Leading Actress in a Play for The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness, often working behind the scenes without credit. In the liner notes for her first comedy LP with Mike Nichols in 1958, her bio is a single terse sentence: "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of a creative powerhouse, a lost era of Hollywood, and the way women were mistreated and held back within it. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love, and frequently punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.
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    • Publisher's Weekly

      Starred review from April 29, 2024
      Journalist Courogen (Go All the Way) delivers a vibrant biography of filmmaker Elaine May. Born in 1932, May rose to prominence with the improv comedy act she developed with Mike Nichols. The duo became an overnight sensation after a 1958 television appearance, but May quit three years later, fearing the act had grown stale. She hadn’t planned on becoming a director, but was effectively forced to by Paramount after the studio only agreed to finance her first film, A New Leaf, which she wrote and was set to star in, on the condition that she direct so the studio could save money by paying her less than a male director. Depicting May as an auteur obsessed with creative control, Courogen describes how she allegedly hid film reels of the in-progress Mikey and Nicky to prevent studio interference. Courogen traces this tension between commercial concerns and May’s uncompromising artistry through her major successes (she received acclaim for writing Heaven Can Wait and The Birdcage), as well as her infamous directorial bomb, Ishtar, and captures her larger-than-life spirit in lithe prose: “Elaine was a world-wise woman among children, with a mind that seemed to run only at high speed, a cruel wit that could be weaponized at a moment’s notice, and an intimidating raw and unbalanced intelligence.” This is a gem. Agent: Nicki Richesin, Dunow, Carlson & Lerner Literary.

    • AudioFile Magazine
      Erin Bennett speaks earnestly about the life of comedian Elaine May, warning listeners that separating fact from fiction is difficult. But Bennett's ease with the microphone makes it a joy. Blessed with brains and beauty, May was easily bored. She told outrageous lies about almost every aspect of her life. Bennett delicately tells the story of her groundbreaking comedy with partner Mike Nichols. She went through life jumping from one project to another in a career that spanned from the 1950s to 2018, when she earned a Tony for the Broadway play THE WAVERLY GALLERY. She also directed the movies A NEW LEAF and the studio-sabotaged ISHTAR and shunned the limelight when she ghostwrote numerous other films, including TOOTSIE and HEAVEN CAN WAIT. M.S. © AudioFile 2024, Portland, Maine

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