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The Zhivago Affair

The Kremlin, the CIA, and the Battle Over a Forbidden Book

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1 of 1 copy available
1 of 1 copy available

Drawing on newly declassified government files, this is the dramatic story of how a forbidden book in the Soviet Union became a secret CIA weapon in the ideological battle between East and West.
 
In May 1956, an Italian publishing scout took a train to a village just outside Moscow to visit Russia’s greatest living poet, Boris Pasternak. He left carrying the original manuscript of Pasternak’s first and only novel, entrusted to him with these words: “This is Doctor Zhivago. May it make its way around the world.” Pasternak believed his novel was unlikely ever to be published in the Soviet Union, where the authorities regarded it as an irredeemable assault on the 1917 Revolution. But he thought it stood a chance in the West and, indeed, beginning in Italy, Doctor Zhivago was widely published in translation throughout the world.
 
From there the life of this extraordinary book entered the realm of the spy novel. The CIA, which recognized that the Cold War was above all an ideological battle, published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed surreptitiously from friend to friend. Pasternak’s funeral in 1960 was attended by thousands of admirers who defied their government to bid him farewell. The example he set launched the great tradition of the writer-dissident in the Soviet Union.
 
In The Zhivago Affair, Peter Finn and Petra Couvée bring us intimately close to this charming, passionate, and complex artist. First to obtain CIA files providing concrete proof of the agency’s involvement, the authors give us a literary thriller that takes us back to a fascinating period of the Cold War—to a time when literature had the power to stir the world.
(With 8 pages of black-and-white illustrations.)

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    • Publisher's Weekly

      Starred review from March 17, 2014
      In brisk and thrilling fashion, Washington Post national security editor Finn and Saint Petersburg State University instructor Couvée take readers into the world of Soviet intelligentsia and shadowy Cold War politics to study how Boris Pasternak came to write and publish Doctor Zhivago (which first appeared in Italy in 1957). The authors use rich archival research, including previously classified CIA files, to depict the oppressive political conditions that gave rise to Pasternak’s masterpiece, and the international firestorm that occurred when the novel was banned in the Soviet Union. The book offers nuanced depictions of the people in Pasternak’s life, including his lover, Olga Ivinskaya, who championed his work and shared his torment at the hands of the KGB. The torturous ideological policing by the Soviets is discussed to great effect; for indeed, the tale of Doctor Zhivago itself is very much about the long psychic scar left by Russian Revolution. It’s a story expertly told by Finn and Couvée, who unsparingly present the role played by the Kremlin in persecuting Pasternak and his loved ones, as well as the role of the CIA in using his masterpiece in a game of ideological warfare—overall, a triumphant reminder that truth is sometimes gloriously stranger than fiction. Agent: Rafe Sagalyn, Sagalyn Literary Agency.

    • Kirkus

      April 15, 2014
      The derring-do-packed history of "one of the first efforts by the CIA to leverage books as instruments of political warfare." In the 1940s, poet and translator Boris Pasternak (1890-1960) set out to write an epic of the "incredible time" during the years surrounding Russia's revolution. The result was Doctor Zhivago, "a sad, dismal story," as he put it, about a poet-physician and his personal and political trials during four decades of upheaval and repression. Washington Post national security editor Finn and teacher and translator Couvee chronicle the intrigue over the book's publication in Europe, its initial reception and the vociferous opposition it generated in the Soviet Union. Though Pasternak anticipated significant censure, he insisted that his manuscript be smuggled to the Italian editor who agreed to publish it and serve as international agent. The book, Pasternak said, had "become the most important thing in my life." He wanted it "to travel over the entire world...lay waste with fire the hearts of men." An immediate best-seller in Italy in 1957, it was acclaimed in Germany, England and France; the following year, the microfilmed manuscript arrived at CIA headquarters. The CIA had long been translating, publishing and sending to Russia books with a "humanistic message" of freedom of opinion and personal respect. "Books were weapons" in the Cold War, the agency maintained. Although publishing Zhivago proved convoluted and frustrating, the agency managed to send several hundred copies to the 1958 World's Fair in Brussels, where the Vatican Pavilion agreed to cooperate: From a table behind curtains at the back, Russian visitors eagerly grabbed their contraband. Soviet response was swift and crushing, intensifying after Pasternak was awarded the Nobel Prize for Literature in 1958. Denounced as a snob, a "bourgeois individualist" and a traitor, he was expelled from the prestigious writers' union and shunned even by those he had considered friends; his long-suffering wife and mistress feared for their lives. A fast-paced political thriller about a book that terrified a nation.

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      January 1, 2014

      Given Doctor Zhivago's incendiary take on the Russian Revolution, master poet Boris Pasternak arranged for his single novel to be smuggled out of the Soviet Union in 1956 and published abroad in translation. But the CIA recognized its ideological importance and in 1958 smuggled a Russian edition back across the border. The authors had access to otherwise closed CIA files to write this book.

      Copyright 2014 Library Journal, LLC Used with permission.

    • Publisher's Weekly

      Starred review from October 27, 2014
      Finn, an editor at the Washington Post who was the paper’s Moscow bureau chief, and Couvée, a writer who teaches at Saint Petersburg State University, offer a detailed account of the events leading up to the 1956 publication of Doctor Zhivago, the only novel by Russian poet Boris Pasternak (1890–1960); the authors also describe Pasternak’s subsequent effect on international politics. Along with tracking the manuscript as it traveled from Pasternak to his Italian publisher, Finn and Couvée provide a biography of the poet-novelist and an exploration of Soviet policy during the Cold War. The book also chronicles the machinations employed by the KGB to stop the publication of the manuscript and those of the CIA to aid its publication. Because of the nature of the factual material, veteran reader Vance isn’t given much opportunity to display his way with dialogue. But he makes up for that with his facility for pronouncing Russian names and words, and by using his crisp, precise British delivery to clarify the complex twists and turns this real-life thriller takes. A Pantheon hardcover.

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